Radio Recorders Tapes
The following tapes were acquired by me from Radio Recorders between 1974 and 1976 when I worked there as the Tape Librarian.
How I Acquired Them
As the Tape librarian at Radio Recorders from 1974 to 1976 one of my daily duties was to clear shelf space for storing tapes coming down from the studios. Since they were continuously running out of shelf space I would pull the oldest tapes off the shelf and notify the owners via registered mail to pick them up. They were asked to get their tapes within a certain period of time or they would be destroyed. When tapes were not picked up within the time period given I would cut the tape of the metal reels so they could re-use them.
When I had tapes with what I thought had historical value were not pickup up, my boss Jerry Greenfield said I could have them. That is how I acquired these tapes.
About Radio Recorders
Radio Recorders was considered one of the first professional recording studios in the country. Almost every major artist in the Recording and Movie industries had recorded at radio recorders from the 1930’s through the 1960’s.
In the 1930’s Bing Crosby recorded his radio shows on wax which was then pressed to discs. Because they were not able to edit the wax recordings Mr. Crosby funded the development of the first tape recorder to enable them to edit the shows before they went to disc. The first tape recording machines were built by Ampex. Radio Recorders had the first three produced. They were called Model 200A and serial numbers 1, 2, and 3 were sent to Radio Recorders.
Elvis Presley Sessions
These tapes are the ones the producers would have gotten to review the session and decide what takes to use or what parts to edit. They were either mixed down from the three tack master on which the live session was recorded or they rolled these tapes as they recorded live.
I Can’t Help Falling In Love With You & Beach Boy Blues
About This Tape
This tape is a mono mix down of the session for the song I Can’t Help Falling In Love With You. It contains takes 13 to 29 from the session This tape also contains the only three takes of Beach Boy Blues.
Condition
You can hear a short sample of the sound quality of this tape below. The box is original and well worn from being moved many times over the years. While the tape is original, the metal reel is probably not the original one.
Excerp 1
Excerp 2
Asking $1,600.
King Of The Whole Wide World & Whistling Tune
About This Tape
This tape is mono of the session for the songs King of the Whole World and Whistling Tune from the Movies Kid Gallahad.
Condition
About This Tape
This tape is a mono mix down of the session for the song I Can’t Help Falling In Love With You. It contains takes 13 to 29 from the session This tape also contains the only three takes of Beach Boy Blues.
Condition
You can hear a short sample of the sound quality of this tape below. The box is original and well worn from being moved many times over the years. While the tape is original, the metal reel is probably not the original one.
Excerp 1
Excerp 2
Asking $1,200.
House Of Sand
About This Tape
This tape is mono of the session of the song House Of Sand. It contains the take used as the master.
Condition
You can hear a short sample of the sound quality of this tape below. The box is original and well worn from being moved many times over the years. While the tape is original, the metal reel is probably not the original one.
Excerp
Asking $850.
House Of Sand, A Dogs Life, & Datin
About This Tape
This tape is mono of the session for House Of Sand dry voice tracks of Elvis. Plus it contains all the takes of A Dogs Life and Datin..
Condition
You can hear a short sample of the sound quality of this tape below. The box is original and well worn from being moved many times over the years. While the tape is original, the metal reel is definitly not the original one.
Excerp 1
Excerp 2
Excerp 3
Asking $1000.
When The Saints Go Marching In
About This Tape
Elvis does not sing on the tape. These are the takes of the chorus that sang When the Saints Come Marching in from the movie Frankie and Johnny.
Condition
You can hear a short sample of the sound quality of this tape below. The box is original and well worn from being moved many times over the years. The metal reel is actually the original one.
Excerp
Asking $100.
Johnny Mathis Demo of It’s Not For Me To Say &
Warm and Tender
recorded the excerpeeAbout The Tape
This is Johnny Mathis’ original demo tape of It’s Not For Me To Say produced by Bryan Productions. I believe this was a demo of the song for a movie called Lizzie. I do not know how much experienced Johnny Mathis had at the time of this demo. But he is clearly very nervous in the studio based on the remarks heard in the out takes. The performance was just Johnny Mathis and a piano. No Echo!
There is another cut on the tape called Warm and Tender which was also recorded for the movie.
This tape was recorded in the smaller studio A at Radio Recorders. I believe this tape is also in stereo. The excerpt below are just from the left track because I did not realize it was stereo when I recorded the excerps below.
How I acquired It
See background about Radio Recorders Tapes
Excerp1
Excerp 2
Asking $980.
Ricky Nelson Sessions
About The Tapes
Some of the boxes are a little ruff. All the Take Sheets are with them and in good condition. One of the tapes for Raincoat in the River and I Catch myself crying is just of the band. It says mono on the take sheet. But it is definitely stereo and quite excellent quality.
Most of these tapes are of Ricky Nelson over dubbing to the music tracks. The sample below is a sample of the quality of these tapes. You’ll hear two slates on the sample below. The first take number 12a is for the overdub session and the second slate, number 20 is from the band session.
Love Is Where You Find It
Benny Carter Sessions
Many of these tapes have never been played. I have original studio copies of most of them. They are all stereo. There are second copies of some these because when they did these sessions they usually made a copy for each person involved in deciding what takes to use or how to edit. They would often roll two or more machines at a time while they were live recording for the extra copies.
Sample Of One Of The Benny Carter Masters - I Should Care
Sample 2 Of One Of the Benny Carter Masters - I Understand
Far Away Places, I don’t Stand A Ghost Of A Chance & The One I Love
There Is 1 Additional Copy Of This One
Asking $45.00
I Understand, All Or Nothing At All & I’ll Never Smile Again
There Are 2 Additional Copies Of This One
Asking $45.00
Pajama Game Soundtrack Master
Side B
Excerp
Asking $25.00
Pillow Talk – Last Two Takes
Plus Voice Parts
Doris Day
Excerp
Asking $25.00
Candy Johnson and the Exciters Show Album
Original Master & Clean 45 Of Hound Dog
Excerp
Asking $85.00
Misc. Jazz Tapes
George Gobel Routines Recorded for NBC Monitor
NBC Monitor was a weekend radio program broadcast from June 12, 1955 until January 26, 1975. Airing live and nationwide on the NBC Radio Network. The program offered a magazine-of-the-air mix of news, sports, comedy, variety, music, celebrity interviews and other short segments. George Gobel did a 5 minute routine each week on the show. The way the program worked is the host of the Show that week would introduce Mr. Gobel’s segment and sponsor. Below is an excerp of an NBC Monitor
Sample Of Audio Quality For These Tapes
Morey Amsterdam
Below is a sample of the audio quality of these tapes. These are the tape that the Album “Funny You Should Ask” was made from. Two of the tapes are the original raw recording in front of the audience and the other two are the final edited versions that the record was made from. So they recorded this somewhere outside of Radio Recorders. Then they had Radio recorders edit it and cut the master disc.



































































